Showing posts with label billy elliot the musical. Show all posts
Showing posts with label billy elliot the musical. Show all posts

Saturday, October 10, 2009

Kiril Kulish's Final Performance in Billy Elliot

If seeing Billy Elliot: The Musical was a dream come true, then seeing it the second time was nirvana.

Several weeks ago, it was announced that Kiril Kulish would give his final performance as one of the original Broadway Billys on the evening of Saturday, October 3. I could not miss the chance to see this special performance--not only because Kiril's autograph was the last one I needed to complete my collection, but because I think he was the best Billy. From clips I had seen before, I could tell that he was the superior dancer--a graceful, precise, and expressive performer. Kiril is truly quite a prodigy in many ways. So this was my sure chance to finally see him in the show and to get his autograph. I was only able to get a seat towards the back in the rear mezzanine, but really it wasn't too far from the stage because the theater isn't huge. It was also the cheapest seat I could get, same price as last time.

Thus, after the awesomeness of the Anime Festival the weekend before, I was poised to have yet another incredible and special weekend here in New York City. I was going to see my favorite musical again! I had been anticipating the event for weeks, and yet when Saturday October 3rd came around I had the strangest feeling that it came much too soon. It was very odd, I almost wished it could wait another week. Perhaps it was because I was still buzzing from the weekend before, or maybe I was fearful of the reality that, like all good things, it would quickly pass by in a flash with hardly a chance to take it in. The night came before I knew it, and I was powerless to stop the speed of life.

I grabbed some pizza around the corner from our apartment, and then dashed back home because I forgot, of all things, my ticket. I then rushed to the subway, arrived at Times Square which was as crowded as ever, and walked as briskly as possible to the theater. After waiting to get in with the rest of the mob of people, I found my seat and was pleased enough with the view, as I mentioned before. Then, before the show started, came the first surprise of the night: out of stage right walked none other than Stephen Daldry--the Oscar-nominated, Tony Award-winning director of the movie and musical Billy Elliot! "Oh my gawd," I uttered aloud. But I knew why he was there of course. He said some words of praise and goodwill for Kiril Kulish, "one of our original three Tony-Award winning Billys," announcing that this would be his final performance as Billy. It was a brief but heartfelt speech and it set the tone for the evening. The crowd cheered Stephen off the stage. On with the show!

Where do I even begin to describe this experience? I'm struggling to find the words. I think the best way to express my impressions is in thoughts, rather than a fluent paragraph:

-The show took on a whole new meaning because it was Kiril's last.

-A couple minutes into the show, the audience applauded when Billy first entered stage left, though he didn't yet say a word.

-The effects of puberty were evident in Kiril's raspy voice, try as he might to sound younger. He struggled to sing the higher parts of some songs, like the latter parts of "The Letter" and "Electricity," and sometimes used a slightly uncomfortable falsetto. This didn't distract from his performance. Rather, it was just another nuance that added to the poignancy of his final show and reminded us that Billy was growing up.

-The interactions of the characters felt genuine whether the scene was quiet or loud, calm or angry, joyous or sad. All the actors knew it was Kiril's night.

-Every moment was infused with a new emotional honesty--when Billy kissed his grandmother's hand, when Billy shared the letter from his late mother with Ms. Wilkinson, when Michael kissed him on the cheek, when he finally had to say goodbye to his brother, his dad, the memory of his mum, Ms. Wilkinson, and Michael.

-The sense of finality and nostalgia pierced me to the heart. I know exactly how Kiril felt that night. It was just like my final performance in the Little Theater at CDO High School. I felt so connected with him. My heart was filled with empathy and understanding. It was overwhelming.

-The story and the dialogue gained new emotional nuances as they echoed the very emotions Kiril was experiencing as a chapter in his life was coming to a close.

-You could tell he was giving everything he had for his final go. He was laying it all out on the stage. He danced with relentless passion and vibrancy. We, the audience, burst into uproarious applause with every finish. For his show-stopping (literally) number "Electricity" we gave him a deserved standing ovation. "Electricity sparks inside of me, and I'm free..."

-Kiril's performance moved beyond acting--it was a real and brutally honest farewell. This is what I mean by a "whole new meaning." When Billy said goodbye, he was really saying goodbye.

-Towards the end, when Billy's voice cracked and he started crying as he read his goodbye letter to the memory of his deceased mum, the tears and the pain on his face were absolutely real. I could see it on his face even from where I was sitting. He could hardly sing the words. "Love you forever..." And then...
"Bye, mum. See you soon."
"No, I don't think so. Do you?"
"No. Not really."

-In the final scene, when Billy and Michael have to say goodbye to each other as Billy leaves for Ballet School, instead of using their characters' names, Kiril and Keean changed the dialogue to truly heart-wrenching effect:
"See you, Keean..."
"See you, Kiril..."
I died right then and there. It killed me.

-Those final scenes were so powerful and poignant, I was heartbroken. It was like the entire truth of the universe was contained in that moment, or at least the entire truth of my life. I felt like I was up there with him, dying inside. It brought back to me all the mixed emotions I had when I had to say goodbye to the theater and start a new chapter in my sad little life.

-It's those cathartic and emotionally trascendent experiences that make everything else in life seem so utterly pointless. It made me question whether anything else has meaning or relevance to my own existence. And yet, I still return to the trifles of daily life. Why?

After the finale number and for the final curtain call, we gave one last exuberant standing ovation for Kiril Kulish. Then Greg Jbara took the stage and once again gave a little ode to Kiril and invited his family to the stage. Only Kiril's sister made it up there in time before the curtain closed again, though, because as it happens, his mother and brother were sitting way up in the row right in front of mine (I think it was them but don't quote me on this). Who the hell knew? I wonder why they sat so far away? Anyways, after a little bit, the curtain rose again and you could see the cast gathered on the stage around Kiril, taking turns giving him hugs, congratulations, and condolences. I tried to take pictures of this moment, but guess what about my camera?

Well, I gathered my stuff and exited the theater at the back to find a big mob of people crowded around the stage door, where I waited with everyone else for the chance to get Kiril's autograph. I saw Trent and Tommy again there, just as a random side note. I was sort of stuck far away from the actual door since the crowd was bigger than my previous experiences at the theater (that was to be expected on this particular occasion). After a few minutes, a sudden cheer erupted from the crowd as Kiril came out... of the door. (Haha, oh I crack myself up... ) The cameras started flashing and Kiril started signing autographs, greeting fans, and pausing for photos.

He appeared to be understandably overwhelmed by the mob and all the people vying for his attention. I mean, good lord, the kid just gave the performance of his life and his final one for the show. He'd been crying and he was no doubt emotionally exhausted. I wonder whether he was happy to soak in his Billy Elliot fame for one last time, or whether he just wanted to go home. I wouldn't blame him either way. It took a while for Kiril to make his way through the crowd and please everyone, but finally I got his attention and he signed my program for me. He/I couldn't say anything more than "Thank you so much" before he moved on to the next customer. He gradually made his way towards the street with his family, and the remaining crowd gave a final cheer for him as he got in a car across the street. I didn't even see him leave.

Oh, and guess who else popped out of the stage door after the crowds began to disperse? Stephen Daldry. Stephen freaking Daldry. I basically freaked out and then asked for his autograph. Stephen Daldry--Tony-winning, three-time Oscar-nominated director--signed my program. Yeah, bitches. He then walked away towards Times Square, strolling as if he were just any other guy walking down the streets of New York.

I took a series of photos outside the stage door, most of which look like crappy paparazzi shots or something, but I'll share a few with you. My circumstances were not conducive to getting in a picture with Kiril, about which I was exceedingly disappointed.

This gives you an idea of the mob that awaited Kiril outside the stage door:

Yeah, this is him:

Signing autographs for fans:

Voila, my souvenir program with my completed collection of autographs:


I also got some crappy videos to capture a few moments. I felt like a paparazzi:






To see some great photos (by Peter James Zielinski) of the final curtain call that very night, I encourage you to click here! They're awesome photos. You can even see the tears in Kiril's eyes. Breaks my heart.

Walking away from the theater that night, and riding alone in the subway, felt like walking away from a dream while half asleep. I spent the next two days in quietude, accomplishing nothing in particular, just wondering whether all of this other shit in my life is going to turn out to be worth it. Paying a hundred bucks to see a prodigy bare his soul on a stage one last time while I experience a soul-bending catharsis within my very being just by witnessing this transcendent act-- now that is worth it. That is the stuff of dreams. Hahaha! I laugh at everything else. I laugh because what the hell does anything mean compared to this? Incredible.

Well, folks, I might not be able to update my blog for a few weeks since I've got midterms coming up and I need to hit the books. You wouldn't really want to hear about that anyway, would you? Peace.

Thursday, September 17, 2009

Broadway in Bryant Park (August 13)

I totally forgot to tell you about "Broadway in Bryant Park." It was a free concert series featuring snippets from Broadway shows performed by their actual casts at the outdoor theater space in Bryant Park. This is apparently an annual thing, and this year it went every Thursday from July 9 to August 13. On August 13, Mom and I headed to Bryant Park because I wanted to catch the cast of Billy Elliot! The rain clouds were looming that day, and I was nervous about the possibility of getting rained out. Well, we got there early enough to catch the Billy Elliot cast rehearsing for a little bit before the actual performance. This turned out to be a lucky thing, because toward the end of the concert, it began to rain for a little bit, but I'm getting ahead of myself. The other shows featured that day besides Billy Elliot were South Pacific, Mamma Mia, and Altar Boyz. But all I cared about was Billy of course. Anyways, like I said, it started to rain during the show--I think it was in the middle of the South Pacific song, and later the Billy cast ended up doing only one of their numbers--"Once We Were Kings" (click for video)--because the stage got wet and they couldn't dance. I know, right? Well, at least we got to see them rehearse their other song ("Shine") a little before the show. So it was a slightly dissappointing day, but I mean, I still got to see the cast perform that day for free! Here's a few photos:

"Shine" Rehearsal:


Performing "Once We Were Kings":


Tommy Batchelor and the understudy for Ms. Wilkinson (I can't find her name):


Cast photo time:


Interestingly enough, the ever-charming John Stamos made an appearance to publicize his involvement in an upcoming production of Bye Bye Birdie:


Matthew Morrison from the TV show "Glee" also showed up and performed the song "Leaving on a Jet Plane" (click for video). Cool huh? I didn't get any pictures though.

Okay, so maybe on my next post I'll finally talk about school and the Circle Line boat tour we went on a couple weeks ago.

Monday, August 3, 2009

More Billy Elliot

I have so much more to talk about in regards to Billy Elliot: The Musical!

The role of Billy is currently alternated among four actors--the three original Billy's who opened the show (and who all won a joint Tony Award): Kiril Kulish, Trent Kowalik, and David Alvarez; plus a former understudy who was added to the main cast rotation earlier this year: Tommy Batchelor. As I mentioned before, I was hoping to get to see one of the original Billy's perform at the Saturday matinee I went to, but Tommy Batchelor was fantastic and all my concerns over that issue dissolved during the show. I was also hoping to see Tony Award-nominee David Bologna in the role of Michael because he performs like an absolute professional, but Keean Johnson shined as Michael in his own adorable way. Oh, and interestingly enough, Trent Kowalik actually played a couple small roles in the show I saw, namely "Tall Boy" and "Posh Boy," so I think what they do is they have one of the actors who isn't starring as Billy in the given show take over those smaller roles for that performance. So I guess you could say I did see one of the original Billy's perform, ha, just not as Billy.

Anyways, after the performance ended, I waited at the stage door with other fans and got the autographs of Tommy Batchelor, Keean Johnson, Trent Kowalik, and a couple of the ballet girls. I also got just a few pictures before my camera battery died. How convenient. But, I wanted more autographs and more photos, so I decided I would come back to the stage door later that night to catch the stars after Saturday's evening performance! I got there at around 10:30 PM, which is about 15 minutes before the performance would end, but before it did, I was surprised to see David Alvarez come out of the stage door all of the sudden. Wasn't expecting that, but I got his autograph! I presume he had played one of the small roles (perhaps "Tall Boy") in that night's show. He left quickly, but not before a fangirl noticed him and told him what a great job he has done in the show. Cute!

As I continued to wait at the stage door for the show to end and other cast members to show, I talked with a nice lady and her young daughter, who had a similar idea as me: they had come back to the stage door for a third time to get pictures with more of the stars. They were both very sweet and it was nice to actually share a conversation with someone other than myself. I also tried to get some photos of the actors that night, but my camera struggles (shall we say) in low light. It turned out that Trent Kowalik was Billy for that evening's performance. Here's a couple photos I have from that night. None of the others turned out well.

The back doors of the Imperial Theatre, plastered with this awesome huge poster thingy:


Me with Tony Award-winner Gregory Jbara ("Billy's dad")--sorry about the awful blur, but like I said, my camera stinks (and so does my beret, gah!):



Okay, so that night, I added the autographs of David Alvarez, Gregory Jbara, and Kyle DesChamps (I think he was a fill-in for "Tony" or part of the dance ensemble--I'm confused; either way, he's part of the cast) to my collection. But still no Kiril Kulish! So I decided to go back again Sunday afternoon (yesterday) because I have to collect the autographs of all the Billy's. Hopefully nobody will think I'm a stalker, haha. But guess what? Kiril Kulish wasn't there yesterday, either. Trent Kowalik played Billy again. How does this rotation schedule work, anyways? Oh well, looks like I'm gonna have to go look for Kiril again later this week. Here's a couple photos from yesterday.


Trent Kowalik signing autographs for fans:


Signing more autographs:


Merle Louise ("Billy's grandma") signing autographs (I got hers, so it made the afternoon worth it):


And here's some videos I took!

This first one I took outside the Imperial Theatre before I saw the show on Saturday. You can't really understand what I'm saying because of the street noise, but it's okay, you get the idea:


This one primarily features David Bologna greeting fans on Sunday afternoon:



These next two videos feature Trent Kowalik signing autographs and posing for photos yesterday:




It was so exciting getting to see these amazing young stars in person! I admire them so much and wish I could have as much drive and talent as they do. Trent Kowalik seemed quite shy in person, and hardly said a quiet word as he signed autographs for people (aww). I suppose even though he's been doing this since last October, he still isn't used to all the attention! Keean Johnson also seemed pretty shy and really gracious. Tommy Batchelor was kind and enthusiastic about it all, and radiated with as much joy in person as he did on stage. David Bologna was all smiles when he came out of the stage door; he was very outgoing and mature when greeting fans. He has a sense of professionalism that is very impressive, which you can sense when you see him perform or do an interview. Adorable!

Wow, okay, I have spent way too much time on this post. You may have noticed I'm doing something a little new with my posts--I'm adding links here and there that you can click on for more info, videos, or goodies related to what I'm talking about. I've even gone back on a few older posts and added some. Be sure to click on them and check 'em out so it isn't a waste of effort on my part! Thanks for reading. I'll let you know soon enough how my quest for Kiril's autograph goes, and I'll show you what my complete autograph collection on my souvenir program looks like.

Peace and Love!

Saturday, August 1, 2009

Billy Elliot: The Musical

August 1, 2009 has been a hell of a day. Those who have me on facebook may have already known this, but today was the day I finally got to see my favorite musical ever, Billy Elliot: The Musical. Earlier this week, my loving father bought me a ticket for today's 2:00 matinee. So this morning, I got up at a decent hour (being 10:30 am) to get ready for the big day. I headed down to Times Square and got to the Imperial Theatre way early ahead of the crowds.

Now, I had been crossing my fingers that it would be one of the original three Broadway Billy's (Kiril Kulish, Trent Kowalik, David Alvarez) performing in this showing (they rotate/take turns playing the title role), but I found out that the cast line up was Tommy Batchelor as Billy (he's a new fourth Billy, formerly an understudy, added to the rotation), and I admit I was upset that I wouldn't get to see one of the Tony Award-winning originals, but of course, as soon as the show began, I forgot all about that, because Tommy Batchelor was every bit as wonderful! Keean Johnson was also adorable as Michael.

But I'm getting ahead of myself now. As a mildly interesting subplot, just ten minutes before they opened the doors, I realized I forgot to bring a sharpie (for autographs after the show) so I had to make a mad dash to the Walgreens to waste my money and buy a pack. Ah well, I didn't want to miss the opportunity for autographs.

Anyways, I got back to the theater, but not ahead of the crowds this time. Still, it only took a few minutes to get in and find my seat on the front mezzanine row F (which wasn't a sucky seat, in case you're wondering, but it wasn't fantastic either). The lights dimmed, and over the speakers the voice of a boy with a Geordie accent prompted us to turn off our cell phones.

And so the dream began... and ended. Like a flash. I've been in a tired daze ever since.
That's the kind of effect an experience so moving has on me. Billy Elliot: The Musical was one of the single most joyous times I've ever had in my life--the fulfillment of a dream. So naturally, now that it's over, I am incredibly depressed. That's just how it goes with me.

Some photos to document the day... Disclaimer: Please ignore the fact that I look gross and my hair is a disaster.

The Imperial Theatre
Front:

Back:

Inside the Lobby:

After the performace, Keean Johnson (dark hair) and Tommy Batchelor (light hair) sign autographs:

Me with Tony Award-winner Trent Kowalik:

Me at home with my autographed souvenir program:


"Wow. Huh? Did that really just happen?" That kinda sums up how I feel right now. I've anticipated this day since I first saw the Billy Elliot movie and bought the Musical soundtrack two years ago, and now it's gone in a flash. It was such an emotional day. And I would give you more details now, but I'm pooped.

Latest update: Tonight at around 10:30, I went back to the theater and waited at the stage door to catch some more of the stars as they exited after their evening performance. I got a few more autographs. More details on the day and possibly more photos coming tomorrow!